アン展レポート

Matthew Cuthbert is surprised

Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow where wild plums hung out their filmy bloom. The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while

"The little birds sang as if it were The one day of summer in all the year."

Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all and sundry

"I'm sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag."

"Oh, I can carry it," the child responded cheerfully. "It isn't heavy. I've got all my worldly goods in it, but it isn't heavy. And if it isn't carried in just a certain way the handle pulls out--so I'd better keep it because I know the exact knack of it. It's an extremely old carpet-bag. Oh, I'm very glad you've come, even if it would have been nice to sleep in a wild cherry-tree. We've got

Marilla Cuthbert is Surprised

Marilla came briskly forward as Matthew opened the door. But when her eyes fell of the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement.

"Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?"

"There wasn't any boy," said Matthew wretchedly. "There was only her."

He nodded at the child, remembering that he had never even asked her name.

"No boy! But there must have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy."

"Well, she didn't. She brought her. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in."

"Well, this is a pretty piece of business!" ejaculated Marilla.

During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face.

"Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name."

"Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it."

"Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E."

"What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot.

"Oh, it makes such a difference. It looks so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n

Anne's Bringing-up Is Begun

Miss Cuthbert, won't you tell me if you are going to send me away or not?" I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me."

"You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne."

Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself

"I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, glad doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?"

"I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here

出版されて100年を迎える『赤毛のアン』ですが、モンゴメリがアイディアを得たのは出版の約3年前、1905年のことでした。日曜学校の記事のために、自分のアイディアや気になったことを書き留めていたノートをめくるうち、10年前の新聞記事についてのメモに目をとめました。それは「老夫婦が孤児院に男の子を申し込んだのだが、手違いで女の子が来てしまった」というものでした。このエピソードからモンゴメリはアンのイメージをわかせ、約8ヶ月の歳月をかけて物語を書き上げます。

『赤毛のアン』は手書きでしたが、モンゴメリは中古のタイプライターを購入し使用していました。